Two weeks ago we talked about selection techniques. Isolating specific elements from an image is one of those capabilities which Lightroom just cannot do. It requires a pixel level editing program like Photoshop or even elements. The ability to place things and then work on different layers is also one of those capabilities where Photoshop rules. Building composite images takes full advantage of these three elements.
In my mind there are three basic categories of composited images. We are going to cover the first two types in this blog. The first are the simple replacements—ooh, I don’t like that sky and so I will put in a new one.
. Starting with this nice happy image from the Taos cemetery, I just used the “color range” selection for the sky to create this mask. I inverted the selection to keep only the ground.
I then took another big sky image I shot from that same trip and opened it up as a smart object. Why as a smart object? Well I wanted to be able to resize it without damaging the original file.
With the sky as a new layer beneath, it’s a much more dramatic image.
The other two types are more artistic in scope. The creative composite, where images and effects are layered and blended together and you intend for the viewer to be able to see this as part of your message. Using that same cemetery base shot and the same mask I created a completely different look. I shot this at Epcot Center during a fireworks display. I keep it tagged in my effects and colors.
When you make this into the sky, you need to add an orange cast to the markers themselves. I just picked out a color from the new sky and then created a new fill layer on top. I then reduced the opacity way down, just to give it a little glow.
The last one, which we are saving for later, is where you take various elements from multiple images and create a seamless effect that could be a photograph from a completely different world.