Now that the darkroom is digital, you can try all kinds of effects without ruining your original photo.
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Roger A. Dallman Jr. Roger started in photography in 1979, as a secondary job in the Army. He shot "grip and grins" and Army events. He began shooting portraits and weddings on the side for extra camera gear money. He won several photo contests and an Army journalism award. After career assignment changes, he put the cameras aside and sold his darkroom equipment. In 2006, he bought his first digital camera before a trip to Europe and was hooked again.
Today he is a dedicated Adobe Lightroom and Photoshop user-advocate and NAPP member. He is active in photography groups and teaches digital darkroom techniques. He prefers to shoot portaits away from seamless paper and static lighting. He is also a photo retoucher and restores old photos - a handy skill when working on his genealogy hobby.
Mark B. Segal. Mark started shooting when he was 13 and has done it off and on since then. As a Navy brat and then Naval Officer, I got to go to interesting places. I wish I had taken my camera more often. I love the way the camera allows you to dissect the world and shape what people see of it. Photoshop and Lightroom are great tools to help capture what you thought you saw from behind the lens.
I love helping people salvage and restore their photographic memories as links to their past. The patience and dedication needed are usually far beyond what the images are worth, except to the person who owns the picture. Seeing the smile or tears from when you've brought back an image from the cracked, torn and faded pile is a reward in and of itself.
Now that the darkroom is digital, you can try all kinds of effects without ruining your original photo.
One of your best friends in working on repairing damaged images is the clone stamp.
The human eye is a wonderful thing. It can take in details in the highlights and shadows in a scene; combine them in the brain; and we see the whole image. The camera does not have this capability – yet. Believe me, they are working on it. What do you do in the meantime?
Last month when Mark was talking about organization, he went through keywording and explained his methods. At the time, he also mentioned how I did my keywording for people, especially family. I figured a little more depth might be helpful.
I started keeping notes on my photographs way back in 1979. (At the time I was...
We have stated several times that our goal is to get the shot correct in the camera, so we don’t get too dependent on post-processing. And we really mean it – really. But…. Every now and then, this doesn’t work.
I can remember the days of shoeboxes full of pictures and negatives which were waiting for that never coming day when they would find homes in photo albums destined for closets. Boxes of 36 Kodachrome slides dragged out once in a blue moon. The great thing about digital cameras is the fact that you can...