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Efcubed Photography bio picture

Welcome to the Efcubed Photography Blog!

Roger A. Dallman Jr.    Roger started in photography in 1979, as a secondary job in the Army.  He shot "grip and grins" and Army events.  He began shooting portraits and weddings on the side for extra camera gear money.  He won several photo contests and an Army journalism award.  After career assignment changes, he put the cameras aside and sold his darkroom equipment. In 2006, he bought his first digital camera before a trip to Europe and was hooked again. 

Today he is a dedicated Adobe Lightroom and Photoshop user-advocate and NAPP member.  He is active in photography groups and teaches digital darkroom techniques.  He prefers to shoot portaits away from seamless paper and static lighting.  He is also a photo retoucher and restores old photos - a handy skill when working on his genealogy hobby.

Mark B. Segal.    Mark started shooting when he was 13 and has done it off and on since then.  As a Navy brat and then Naval Officer, I got to go to interesting places.  I wish I had taken my camera more often.  I love the way the camera allows you to dissect the world and shape what people see of it.  Photoshop and Lightroom are great tools to help capture what you thought you saw from behind the lens. 

I love helping people salvage and restore their photographic memories as links to their past.  The patience and dedication needed are usually far beyond what the images are worth, except to the person who owns the picture.  Seeing the smile or tears from when you've brought back an image from the cracked, torn and faded pile is a reward in and of itself. 

Macro Stacking

Today, I’m answering an information request from my PBase gallery (www.pbase.com/radjr) mailbox.  JohnS  asked how I stacked several macro images into this miniature pine cone photo.

 

Macro photography is close-up photography. A macro lens reduces the minimum focus distance to a very short distance and allows you to fill the frame with small objects.  At this distance, the depth of field can be measured in millimeters.  Focus is absolutely critical since any change in the camera to subject distance will cause a change in the area of focus.  You should use a tripod to help you maintain the focus exactly where you want it.  A remote trigger or cable release also helps prevent any camera movement.

In order to create a greater depth of field, I frame the object carefully, and manually focus on different planes, taking several photographs.  In Photoshop, I create a stack of these photos and blend the photographs together, masking out the out of focus portion of each photo and leaving the sharp elements.  The remaining composite reveals a sharp macro photograph that cannot be recreated with the camera and lens alone.

The steps are easy.  Place all the photos into one image file, with each photo in its own layer.  Select all layers.  In the Edit menu, choose Auto-Align Layers, and let the program ensure all layers are exactly aligned.  Back in the Edit menu, choose Auto-Blend Layers, and Photoshop creates the masks for each layer.  You may need to crop slightly to compensate for the any ragged edges created in the alignment step.  Nothing to it. 

   

Just in case you didn’t know, Photoshop CS5 is now shipping.  Both of us have our copies.  I believe the upgrade is worth every penny.  We’ll probably throw in a few blogs in the near future about some of the new features.   Lightroom 3 should be out soon, as they are now in their second public beta.  Another worthwhile upgrade in my opinion.  Lots of fun new toys for the upcoming summer!