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Efcubed Photography bio picture

Welcome to the Efcubed Photography Blog!

Roger A. Dallman Jr.    Roger started in photography in 1979, as a secondary job in the Army.  He shot "grip and grins" and Army events.  He began shooting portraits and weddings on the side for extra camera gear money.  He won several photo contests and an Army journalism award.  After career assignment changes, he put the cameras aside and sold his darkroom equipment. In 2006, he bought his first digital camera before a trip to Europe and was hooked again. 

Today he is a dedicated Adobe Lightroom and Photoshop user-advocate and NAPP member.  He is active in photography groups and teaches digital darkroom techniques.  He prefers to shoot portaits away from seamless paper and static lighting.  He is also a photo retoucher and restores old photos - a handy skill when working on his genealogy hobby.

Mark B. Segal.    Mark started shooting when he was 13 and has done it off and on since then.  As a Navy brat and then Naval Officer, I got to go to interesting places.  I wish I had taken my camera more often.  I love the way the camera allows you to dissect the world and shape what people see of it.  Photoshop and Lightroom are great tools to help capture what you thought you saw from behind the lens. 

I love helping people salvage and restore their photographic memories as links to their past.  The patience and dedication needed are usually far beyond what the images are worth, except to the person who owns the picture.  Seeing the smile or tears from when you've brought back an image from the cracked, torn and faded pile is a reward in and of itself. 

The Need For Speed

The last of the three important factors in proper image exposure is the easiest to understand: shutter speed.   The shutter speed determines how long the sensor (or film) is exposed to light.  The camera has a shutter between the lens and sensor which opens and closes for a time period determined by the shutter speed setting.  Shutter speeds are typically expressed in fractions of seconds, so if you see 125 in your viewfinder, your shutter will be open for 1/125 of a second.  The camera does this for you when you are in the program mode, but, remember our goal here – you are going to take control of the camera!

To keep your images sharp, keep the shutter speed above 1/30 unless you are using some kind of support like a tripod.  With practice, you will be able to hand-hold at lower shutter speeds, but you should use the highest speed that meets the requirements for your situation.  I know you probably have vibration reduction in your new camera, but it is reduction, not elimination.

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So we just set our cameras to lightning fast speeds, and we can stop the action on fast subjects – even water droplets, race cars, or the Air Force Thunderbird F-16s, right?  When do we need to take control of the speed setting?  Ideally, you are thinking about how you want the final image to look; so, if that image should show some kind of motion, you’re going to need to adjust the speed.  There are other reasons, but this is the most common, and we’re keeping it simple right now.  Here are three examples of showing motion.  The rider is moving at a gallop to pop the balloons.  The racing bike riders should look like they’re moving.  And when a little kid hits the slide, you want your image to capture the motion that excites her.

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So, if you have read the last three blog entries, Mark and I have given you the basics of the big three for exposure (aperture, ISO, shutter speed).  You should be able to think through an image and understand the importance of controlling your camera settings and why you want to move away from the program mode.  When you put it all together, you can get the picture you want.

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We’ll go into more of this in deeper detail down the road.  There are many reason to change thes exposure settings and nuances with which to become acquainted as you progress towards total image control.  Feel free to leave comments and ask questions. The more you practice, the easier it is to take control and understand how to make the camera do what you want.   Get out there and play around until you are comfortable with these basics.  Have fun with that camera control.